寂静科恩兄弟喜爱用声音环境加强影像效果,在电影的无数个角落里,那些声音是并不引人注意的背景声,录音带的噼啪声,或者说是虚拟的电影寂静。这种手法明确揭示出他们对待电影的态度:强迫观众竖起耳朵,屏息凝神投入到电影讲述的故事中,好让自己与电影人物合而为一。《血迷宫》刚开场的几秒钟,便平息了电影院里的窃窃私语,营造出一种沉闷的环境,与影片的气氛吻合——这正是一部节奏缓慢、令人着迷的哥特式惊悚片。科恩兄弟的电影里没有滔滔不绝的对白、一浪高过一浪的情节、无所不在的先知视点、夸张华丽的布景。《血迷宫》用一组长镜头证明了这一点。从雷依为了拿自己的工资到达犯罪现 Silence The Coen brothers like to use the sound environment to enhance the image. In countless corners of the movie, the voices are unobtrusive background sounds, crackles from tapes, or the silence of a virtual movie. This tactic clearly reveals their attitude towards the movie: Forcing the audience to raise their ears and hold their breath in the story told by the movie so that they can become one with the movie characters. Just seconds after the opening of the Blood Labyrinth, the whispers in the cinema subsided to create a dull environment that matched the mood of the film - a slow, mesmerizing Gothic horror film. The Coen brothers did not have endless conversations in the movies, wave after wave of stories, ubiquitous prophets, exaggerated gorgeous scenes. The Blood Labyrin proved this with a long series of shots. From Ray to get their own wages to reach the crime now