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中国表演艺术自其诞生之日起,便存有雅化与俗化两条界限分明又相互交叉的发展主线。两者在中国表演艺术的具体实践中又大致呈现为庙堂演艺和民间演艺的分野,这也构成了今日演艺事业与演艺产业双重格局的逻辑起点。历史经验表明:演艺事业与演艺产业协同发展的双重格局是中国表演艺术发展的未来取向;加强演艺事业与演艺产业的互动交融是中国表演艺术发展的现实路径;外来艺术是中国表演艺术体系中不可或缺的重要组成部分,也是中国表演艺术发展的文化给养。
Since the day of its birth, the performance art of China has two main lines of development that are distinct and interdependent. In the concrete practice of performing arts in China, both of them are generally presented as the distinction between performing arts and performing arts in the temple, which also constitutes the logical starting point for the dual pattern of performing arts and performing arts today. Historical experience shows that: the dual pattern of synergistic development of performing arts and performing arts is the future orientation of the development of Chinese performing arts; strengthening the interaction and interaction between performing arts and performing arts is a realistic path for the development of performing arts in China; and foreign art is inevitable in China’s performing arts system Or lack of an important part, but also the development of China’s cultural performance culture.