曲艺理论瑰宝之一是其历史流变的内外驱动及自觉平衡机制,尽管曲艺流变史上有枯有荣,但只要激活和平衡内外驱动机制,低谷中的曲艺就会“春风吹又生”。曲艺理论建设,应挖掘艺术自身顺应环境变化的内外驱动机制,提炼成系统理论,丰富我国非物质文化遗产理论宝库。全国现有数百曲种,蔚为大观,其中仅评书、弹词、道情和宣卷等,唐宋以来绵绵不绝,迄今全国各地每天仍有数以千计艺人向千百万听众说书唱曲,诉说民族历史情怀。曲艺长盛不衰,皆因有内外驱动机 One of the treasures of the art theory is the internal and external drive and the conscious balance mechanism of its historical development. Although the history of the folk art has withered and prosperous, as long as the internal and external driving mechanisms are activated and balanced, the folk art in the trough will ". The construction of the theory of folk art should tap the internal and external drive mechanism of art itself to adapt to the change of environment and refine it into systematic theory to enrich the theoretical treasure house of intangible cultural heritage in our country. There are hundreds of songs in the entire country, which are spectacular. Only the storytelling, storytelling, proclamations and preaching have been carried out in the country since the Tang and Song Dynasties. So far, thousands of entertainers each day still talk and sing songs to millions of listeners throughout the country. National historical feelings. Quyi lasting growth, both due to internal and external drive