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中国钢琴音乐从萌芽到蓬勃发展直至走向繁荣,经历了不同的历史时期。从19世纪初钢琴传入中国到20世纪初中国人有了自己创作的钢琴音乐作品,再到中国钢琴音乐逐步走向繁荣发展的今天,我国的钢琴家、作曲家不断地学习、借鉴、消化和融合西方的创作手法,用西方的乐器—钢琴创作出了大量的具有民族色彩、风格的作品。其中,根据传统的民族器乐曲改编的钢琴音乐作品以其浓郁的民族特色在中国钢琴音乐创作发展中起着重要的作用,确立了在中国钢琴音乐创作中的重要地位。本文以具有代表性的传统器乐曲改编的钢琴曲作为研究对象,将西洋钢琴音乐创作的基本模式跟中国钢琴音乐放在同一平台,分析其创作手法和艺术特色,以及中国传统钢琴音乐的继承与发展,肯定其在中国钢琴音乐中的地位!
Chinese piano music has experienced different historical periods from its infancy to flourishing until its prosperity. From the early 19th century piano introduced to China until the early 20th century, Chinese people have their own compositions of piano music, and then to the Chinese piano music gradually toward prosperity today, our pianists and composers continue to learn from, digest and Integration of Western creative techniques, using Western instruments - the piano created a large number of ethnic colors, styles of work. Among them, the piano music compositions based on the traditional folk instruments play an important role in the development of Chinese piano music with its strong national features, and have established an important position in the creation of Chinese piano music. This article takes the piano music adapted from the representative traditional instrument as the object of study, and puts the basic model of the western piano music creation on the same platform with the Chinese piano music, analyzes its creative techniques and artistic features, and the inheritance of Chinese traditional piano music Development, affirmed its position in the Chinese piano music!