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刚刚过去的2016年度,中国曲艺的创作表演、学术研究、艺术传承、交流传播等,出现了较为活跃的局面。全国性范围较大且层级较高的赛事与评奖,尤其比较集中和频繁。但是,活跃的表象之下,并不全是活力;成绩的光环之外,更多属于隐忧;积极努力的效果,不能尽如人意;超越“高原”并攀登“高峰”的追求,依然处于“爬坡”的状态。特别是艺术传承的艰巨任务和文化传播的尴尬局面,使得业界内外对于曲艺本体的规律性认识包括基本知识的普及严重滞后,依然是长期掣肘曲艺在当今健康持续发展的主要根由。而曲本原创的贫弱,更使精气神的短缺在声光电的映衬下愈加凸显。尊重曲艺规律,矫正创新理念,强化文化传承、培养专业人才,仍是中国曲艺当代发展的主要任务。
In 2016 just past, there was a more active situation in the performance of Chinese folk art, academic research, artistic heritage, communication and communication. Races and awards, both nationally and at higher levels, are particularly concentrated and frequent. However, under the active appearance, not all vitality; the aura of achievements, more are hidden worries; the effect of active efforts can not be satisfactory; beyond the “plateau” and climbing “peak” pursuit, Still in “climbing” state. In particular, the arduous task of artistic heritage and the embarrassing situation of cultural transmission make the regular understanding both inside and outside the industry of melody, including the lag of basic knowledge, remain the main reason for the long-term healthy and sustainable development of folk art. The original song of the poor, but also to make the lack of essence of the gas in the background of electro-optical increasingly prominent. It is still the main task of contemporary Chinese folk art to respect the laws of folk art, rectify innovative ideas, strengthen cultural inheritance, and train professional talents.