“花雅之争”作为戏剧界的重大历史事件,自然有研究的价值。但我认为,它更重要的意义在于变革观念,这种观念伴随着戏剧史的进程,也必将通向未来。因此,本文以学术界对花雅之争的研究为基础,分析花雅之争的精神在现当代戏剧中的体现,进而借这种融为中国戏剧血液的花雅之争精神寻找戏曲未来之路。一、“花雅之争”作为历史现象——兼谈对“花雅之争”的研究清乾嘉时期,“花部”乱弹广泛兴起,后进入京师,与作为“雅部”的昆曲形成对 “Flower Accord” as a major historical event in the theater, the value of natural research. But in my opinion, it is more important that the concept of change is accompanied by the process of dramatic history and will lead to the future. Therefore, based on the academic research on the debate between Hua-Ya and Hua-Ya, this article analyzes the manifestation of the spirit of the Hua-Ya dispute in modern and contemporary drama, and then looks for the future of the opera based on the spirit of Hua-Ya struggle that blends into the blood of Chinese drama. First, “Hua Ya dispute ” as a historical phenomenon - and talk about the “Hua Ya dispute ” during the Qing and Jiaxuan period, “Flower Department ” strikes wide rise, after entering the capital, and as Ministry "of the formation of the Kunqu Opera