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在现当代的中国画创作领域里,叶芃的绘画极具个人特色,他不断学习中国传统工笔画,在此基础上探索出自己独有的新水墨艺术风格。在经历技与艺的磨砺后,他以娴熟的中国式绘画语言表达出强烈的个人观念,并逐步在传统技法之上建构出新的形式语言与当代观念。在此过程中,他的绘画主题从生命、轮回再过渡到玄幻的时空,画中所呈现出的哲思和观念的演进愈发强烈。纵观叶芃的绘画成长历程,可分为四个阶段。第一阶段是古典写生时期。在这一时期,他在“技”上形成自己的独特方法——生宣转熟宣。生转熟的技法并非叶芃独创,但他极
In the field of modern Chinese painting, Yeh’s painting is very personal. He constantly learns the traditional Chinese painting and works, and explores his unique artistic style of new ink and wash on this basis. After experiencing the sharpening of technique and art, he expressed his strong personal conception in his skillful Chinese-style drawing language and gradually constructed new formal languages and contemporary concepts on the traditional techniques. In the process, his painting theme transits from life and reincarnation to the fantasy space and time, and the evolution of the philosophies and concepts presented in the painting has become more and more intense. Throughout the Yeh’s painting history, can be divided into four stages. The first stage is the classical sketch period. During this period, he developed his own unique method of “technology ” - the proclamation of publicity. Born cooked technique is not unique, but he is extremely