保留指给音准以支持点保留指也是杰米尼阿尼在十八世纪首次提出的,后来得到极广泛的应用。亚罗济在《指法最新理论,帕格尼尼及其秘诀》中强调了保留五度双音位置的手指可作为音准的支柱点和轴心。当然,在歌唱性的段落保留指易妨碍揉弦,要慎用。但在快速的技术片段,如能发现一种 The retention of fingering to support point retention refers to the first proposed by Jamie-Ani in the 18th century and was subsequently used in a very wide range of applications. In his book The Latest Theory of Fingering, Paganini and Its Tips, Yaluoji emphasized that the fingers that retain the five-degree diphthong position serve as the pillars and axis of the pitch. Of course, in the song of the paragraph to keep finger easy to disturb rubbing, to be used with caution. But if you can find a quick piece of technology