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张大千的花卉画中以荷花画居多。他通过与荷花朝夕相处,以其敏锐的观察力和高度概括力,用他自己的审美感和艺术情趣加以提炼、夸张,使之寓意深刻,生机勃勃。他笔下荷花均是落落大方,雅俗共赏,娇艳而不俗,沉着而不浮,生动而不匠。既有精工细勒的工笔,也有放逸挥洒的写意。此幅作品,兼工带写,荷花红、白、绿、粉、蓝五色并开,缤纷绚烂,高华富丽,在大千先生荷花中十分罕见。大千说:“画荷,最易也最难,易者是容易入手,难者是难得神韵。”大千先生的荷花,已摆脱了“自然再现”的羁束,而
Zhang Daqian flower paintings mostly in lotus flowers. By getting along with the lotus flower from time to time, with his keen observation and high degree of generality, he refined and exaggerated with his own aesthetic sense and artistic taste to make it extremely meaningful and full of vigor. He described the lotus are graceful, refined tastes, tender and beautiful, calm and not floating, vivid but not artificially. Seiko both fine workmanship, but also freeing swaying freehand. This piece, with the work zone to write, lotus red, white, green, pink, blue and colored and open, colorful gorgeous, tall and beautiful, very rare in Mr. Daqian lotus. Daqian said: “Painting is the easiest and most difficult, easy to start, difficult to find a rare charm.” “Mr. Daqian lotus, has got rid of ” natural reproduction "restraint, and