很少读小说了(尤其是当代新创作的小说),并认为,人到了一定年龄,对那些虚构的故事,自然会兴趣减弱。但是且慢——毕淑敏的新作《红处方》,却令我拿起来就放不下,一口气读完。这不仅因为毕淑敏是我一向钦佩的作家,不仅因为小说写的是一个鲜为人知又震撼人心的题材,更是因为小说所传达的那种悲天悯人的人文关怀和体现在两位女主人公——简方宁和沈若鱼身上的那种久违了的人格力量。听说毕淑敏为了写这本书,像写出《上帝的笔误》的西班牙作家卢卡·德代纳和她自己笔下的沈若鱼一样,心甘情愿住进了一家戒毒医院,在那地狱般的环境里与魔鬼打了一阵交道。因而她用真实的笔 Rarely read novels (especially contemporary novels), and believe that when people reach a certain age, those who fictitious stories will naturally have less interest. But slow - Bi Shumin’s new book “Red Prescriptions”, but I can not let go and let go, breath read. This is not only because Bi Shumin is a writer whom I have always admired, not only because the novel is a little-known and stirring theme, but also because of the compassionate humanistic concern conveyed by the novel and embodied in the two heroines - Jane Fong Ning Shen and if the body of the kind of long-lost personality forces. Hear that Bi Shumin, writing the book, like the Spanish writer Lucca de Dana who wrote “the typos of God,” like her own Shen Ruoyu, willingly admitted to a drug treatment hospital in that hellish In the environment and the devil played a deal. So she uses the real pen