近年来，在河南郑州等地，大量涌现出戏曲茶座，且经营 得红红火火。戏曲演出不再局限于剧场舞台，而是以多元的形式活跃 在社会的舞台上。这种现象的出现，为从事戏曲研究的专家学者提供 了新的话题。 In recent years, Zhengzhou, Henan and other places, a large number of drama teahouse emerged, and booming business. The performance of opera is no longer limited to the theater stage, but active in the social arena in a pluralistic way. The appearance of this phenomenon has provided a new topic for experts and scholars engaged in drama studies.