道家哲学中,月亮的阴性特征与老子所主张的阴柔相吻合,如古人曰:“月者,阴之宗也。”(《淮南子》)“月者,太阴之精。”(《大戴礼》)即说明阴柔之道常借以月亮的阴柔之美来表现,从而形成了中国月亮文化深刻的哲学根基。中国人偏爱阴柔之美的倾向反映在中国传统音乐的方方面面。月亮那含蓄、朦胧和富有诗情画意的阴柔之美,给艺术家想象力的驰骋与情感的表达提供了极为广阔的空间,因此,古往今来有着许许多多以它为题材的艺术作品,比如二胡名曲《月夜》和《二泉映 In Taoist philosophy, the negative characteristics of the moon are consistent with those advocated by Lao Tzu, as the ancients said: “The moon, the case of yin” (“Huainanzi”), “Moon, the essence of the moon” (“Dai Dai Li”) means that the feminine way is often manifested by the feminine beauty of the moon, thus forming the profound philosophical foundation of Chinese moon culture. The Chinese preference for feminine beauty is reflected in all aspects of Chinese traditional music. The imposing, obscure and poetic feminine beauty of the moon provides a vast space for artist’s imagination and emotional expression. Therefore, there are many works of art that have always been subject to the theme of the past, such as the erhu musical “Moonlight” And "Er Quan Ying