马塞尔·拜尔的《狐蝠》,自声音媒介切入纳粹历史,叙事以双声部交织推进。小说重点塑造了声学家赫尔曼·卡尔瑙作为纳粹罪恶参与者和战后社会中纳粹罪行反思者的形象。由之亦可体察作家在变化了的时代语境中面对纳粹历史时独特的文学处理方式及其意味。 Marcell Byrne’s “Flying Fox”, cutting into the Nazi history from the media of sound, the narration is intertwined with the double part. The novel focuses on the image of the acoustician Hermann Karna as a Nazi sinner and a reflection of Nazi crimes in postwar society. From this, we can also see the writer’s unique literary approach and its meaning in the face of the Nazi history in a changing context of times.