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韩国庆州皇龙寺是新罗时期著名寺刹之一,根据考古发掘资料可知,其寺院布局经过三次变化,分为创建期、重建期和钟楼、经楼增设期,其重建期寺院布局采用了一塔三金堂式布局,本文认为这一布局方式源自中国南朝江陵长沙寺。为证明这一观点,本文除了对文献记载中的长沙寺布局进行仔细分析之外,还对长沙寺阿育王像和皇龙寺丈六尊像间的联系进行了研究,尝试从两个方面探讨皇龙寺的渊源问题。
According to the data of archeological excavations, the monastery’s layout has been changed into three phases: the period of creation, reconstruction and the clock tower, and the period of additional buildings. The layout of temples in the period of redevelopment is adopted A tower of three Golden Hall-style layout, this paper believes that this layout from the South China Jiangling Changsha Temple. In order to prove this point of view, in addition to a careful analysis of the distribution of Changsha Temple in the literature, this paper also studies the connection between Changsha Statue of Asoka and the statue of Emperor Huanglong Temple. The origin of the dragon temple.