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“史诗性”是抗战时期许多作家的追求之一,郭沫若在20世纪40年代史剧思想流露出史诗性追求的自觉性,然而这一追求在整体上并不成功。立足于史诗性这一美学范畴的一般特点,结合20世纪40年代史剧创作的总体美学倾向,通过分析郭沫若对史诗性“追求”与“失落”的相关方面,可以洞见其史剧思想的个性色彩,进一步考察以郭沫若为代表的20世纪40年代史剧创作的得失,并对当代史剧创作提供有价值的思考。
“Epic ” is one of many writers pursued during the War of Resistance Against Japan. Guo Mo-ruo’s epic pursuit of historical drama in the 1940s revealed his consciousness. However, this pursuit was not successful on the whole. Based on the general characteristics of the epic category of aesthetics and the general aesthetic tendency of the 1940s historical drama creation, we can see the history of Guo Mo by analyzing the related aspects of Guo Mo-ruo’s epic “pursuit” and “losing” The individuality and color of the drama thought, further investigates the pros and cons of the 1940’s historical play represented by Guo Moruo and provides valuable thinking for the creation of contemporary historical drama.