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围绕西方艺术文物修复的论争，体现出西方美学的当代性，即背离形而上传统，热衷形而下由特殊到一般的方法，成为一门实证性甚强的艺术哲学，这有助于解决一些文艺学中的实际问题。无论基于何种审美理想和文化追求的修复方式，都应殊途同归，达到其终极目的：最大限度地再现修复对象的深厚意蕴，疏通在鉴赏过程中因时空造成的层层阻隔。
The controversy over the restoration of Western art relics reflects the contemporary nature of western aesthetics, that is, deviating from the metaphysical tradition and keen on the metaphysics from the special to the general and turning it into an empirical and very strong art philosophy that will help to solve some of the problems of literature and art The practical problem. No matter what kind of aesthetic ideals and cultural pursuit of the restoration methods, should be the same thing, reach its ultimate goal: to maximize the reproduction of the deep meaning of the object of repair, to clear the layers of obstacles in the appreciation process due to obstruction.