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作为中国传统绘画的重要组成部分,中国人物画曾经在汉唐光耀画坛,早在三国两晋时期中国画就有“人大于山”的历史记载,由此可以中国人物画在古代的历史地位,然而,随着宋元文人山水画、花鸟画的兴起,之后的千年,中国人物画日渐趋微。如今,随着人们对物质文明和精神文明需求的日益增长,中国当代写意人物画逐渐呈现出异彩纷呈、综合化、多元化的发展态势,但在适应社会审美需求、引领艺术发展、体现时代脉博方面遇到了一些问题。本文通过对这一现象和问题的分析,大胆提出中国当代写意人物画的发展方向和出路。
As an important part of traditional Chinese painting, Chinese figure painting used to shine in the Han and Tang dynasties. As early as the period of the Three Kingdoms and Jin Dynasties, Chinese painting had a historical record of “people are bigger than mountains.” Thus, Chinese portraits can be used in ancient historical positions, However, with the rise of the Song and Yuan dynasties’ landscape paintings and flower and bird paintings, the figures in the Chinese are increasingly becoming less and less after the millennium. Nowadays, with the increasing demand for material civilization and spiritual civilization, contemporary Chinese portraits have become colorful, comprehensive and diversified. However, in order to meet the aesthetic needs of the society and lead the development of the arts, Bo face some problems. Through the analysis of this phenomenon and the problems, this article boldly proposes the development direction and way out of Chinese contemporary portrait painting.