书画家的立身与创作的关系本质就是人品与书品、画品之关系。在儒家“文以载道”的价值观念体系下,历来认为书画家的人品与书品、画品有对应同一或者说决定性关系,即人品高则书品、画品必高,反之亦然。本文认为,人品与书品、画品价值判断是两个相对独立的标准体系,不存在对应同一或决定性关系。但同样肯定书画家立身修的重要性,因其为艺术家、社会人的责任,以及人格形象影响其作品的社会评价。 The essence of the relationship between calligraphy and painter’s creation and creation is the relationship between character and books and paintings. Under the value system of Confucianism and “bearing in mind”, historians always think that the characters of calligraphists and painters have the same or decisive relationship with the books and the paintings. That is to say, vice versa. This paper argues that the value judgments of character and book, the value of the paintings are two relatively independent standard systems, and there is no corresponding or decisive relationship. However, they also affirm the importance of calligraphy and painting as a masterstroke because of their social appraisal of the artist’s and society’s personal responsibility as well as their personality.