三、阳主与阴从戏曲艺术是一种动态的赋形艺术,角色的舞台表现的赋形结构是以阳动为主。在做戏方面的可视具象的赋形动势居多:即使在唱与念方面的声音形象,也有着动势。从戏曲界各个剧种的艺诀所反映的:“三分打,七分唱”,“半台锣鼓半台戏”,“千金白,四两唱”,“讲是君,唱是臣”。其中无论是唱多,还是讲多;是锣鼓打击乐在整个演出中 Third, Yang Lord and Yin From the art of opera is a dynamic shape art, the role of the stage performance of the structure is based Yang type action. In the performance of the visual aspect of the majority of formative gestures: Even singing and reading aspects of the sound image, but also has a tendency. From the various operas of the opera industry, the tactics are reflected in the following: “three-point play, seven-part singing”, “half-stage percussion half-opera”, “golden trumpet, four two sing”, “speaking is the king, singing is the minister.” Whether it is singing more, or speaking more; is the percussion percussion throughout the performance