“装饰性”和“抽象性”同当代人们的审美要求相一致,又同时代的理念不相悖,开拓空间和可操作性都非常有潜力,所以笔者从这两个方面谈些感性的认识。 “装饰性”是山水画的主要特征之一,实际也是艺术抽象的手法,它把理想性和意象性加工成整齐和装饰化。装饰做为美化人们生活的手法,在中华民族的五千年文明历史上,可以清楚的看到,从出土的各种文物中,如彩陶、青铜艺术,墓室宗庙的壁画艺术,漆器、帛画、纺织艺术品,都有大量实例。我们在装饰艺术上取得过辉煌成就,古代的很多杰出山水画家,都运用 “Decorative” and “abstract” are consistent with contemporary people’s aesthetic requirements, but also with the same concept of the times do not go wrong, open space and operability are very potential, so I talk about these two aspects of perceptual knowledge. “Decorative” is one of the main characteristics of landscape painting, the fact is also the art of abstract techniques, which idealize and image processing into neat and decorative. As a way of beautifying people’s life, decoration can clearly see that from the various unearthed relics such as painted pottery, bronze art, mural art of the temple of the tomb room, lacquerware, silk painting, Textile art, there are a large number of examples. We have made brilliant achievements in the decorative arts, many ancient outstanding landscape painters, are used