近年来,研究学习谢无量书法几乎成为一种时尚,而得其真谛者则为数寥寥。实际上,谢无量的人生理想绝不是仅仅做一位学者或诗人,更不用说做一位书法家,但他最终却以书法名世,诚所谓“无意插柳柳成荫”。书法于谢无量来说,纯粹是一种个人的修养,他完全没有以此邀名射利的念头,就书法本身而言,他的书路也较窄,所作在行楷、行草间徘徊,说明他在书法研习上并没有过多留意,因此,我们不能纯粹以书法家的目光去审视谢无量。那么谢无量何以会以书名立足?谢无量书法到底如何认识评价?这就需要我们思考谢无量书法的艺术境界问题。 In recent years, study and study Xiebian calligraphy almost become a kind of fashion, but its essence is only a few. In fact, the immeasurable ideal of life is by no means merely a scholar or poet, let alone a calligrapher, but he eventually turned his name into calligraphy. Calligraphy in terms of immeasurable, purely a personal accomplishment, he did not have the idea of ​​asking for a name for himself, on the calligraphy itself, his book is also narrower, made in Xingkai, line between the grass, indicating He did not pay much attention to the study of calligraphy, so we can not judge the immeasurable with the calligrapher’s eyes. So why is there no amount of thanks to the book based on the title? Thankless immeasurable calligraphy in the end how to recognize the evaluation? This requires us to think about the artistic realms of calligraphy without limit.