一以墓中随葬的编列乐钟,来区分墓主等级与身份,在北方地区的两周时期墓葬研究中,已被证明有一定的规律可循~([1]),甚至可据之对商周编列乐钟的制度渊源进行探索~([2])。概而言之,周人钟镩随葬习俗的产生,可上溯至商周之际,周核心文化区~([3])的铜器墓中,有乐器随葬的墓葬有较规范的等级规律。但北方地区两周时期编列钟镩的组合规律,及其与墓主的等级身份对应关系,是否可以适用于同时期的南方,却仍 A series of musical clocks, which are arranged in burials in the tomb to distinguish the rank and identity of the tomb owners, have been proved to have certain laws in the study of tomb burials in the north of the country in the past two weeks [1] Shang and Zhou chronicles the origin of the system of musical instruments to explore ~ ​​([2]). In a word, the custom of funeral ritual of Zhou Renzong can be traced back to Shang Dynasty. In the bronze tomb located in the core cultural area ~ ([3]), there are more graded rules for the burials of musical instruments. However, whether the law of combination of the benevolence in the northern region and the hierarchical identity of the masters can be applied to the south of the same period in two weeks’ time