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本文主要分析了音乐演奏“正确性”的标准到底从何而来 ?我们是怎样取得评判一部作品正确与否的资格 ,以及这种评判标准的存在目的为何 ?它是否有存在的必要几个问题。
This article mainly analyzes how the standard of “correctness” of music performance comes from? How can we obtain the qualification of judging the correctness of a piece of work? And what is the purpose of existence of this criterion? problem.