魏晋南北朝诗,以枯瘦的风格居多,所以谢灵运“池塘生春草”的丰腴感性令人印象尤深。颜色是感性的外溢和扩充,随着社会文明的进展也在慢慢漾开,到唐宋时达到全盛,黄庭坚作为宋诗的代表性人物之一,诗中分布着大量的颜色词,这些颜色词使用的特点与套路值得我们去细细品味。 Wei, Jin and Southern and Northern Dynasties poetry, most of the skinny style, so Xie Lingyun “plum pond ” abundance of sensuality is particularly impressive. Color is the emotional spillover and expansion, with the progress of social civilization is also slowly Yang Kai, reached the heyday of the Tang and Song Dynasties, Huang Tingjian as one of the representative figures of Song poetry, the poem is distributed in a large number of color words, these colors The use of words and routines deserve our savor.