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历史学要求我们用文字再现已经消逝的事物,这与虚构的艺术作品旨在重现现实世界颇有相似之处。本文凭借对当代美学理论中关于表现的讨论,重新质疑了传统认识论中主体认识与客体对象间的关系,从而提出:历史作品不只是对过去事物的再现,某种程度上它就“成为”过去自身,获得了所谓在场的状态。因此,传统认识论发生的有效场域是由崇高经验预先规划的,这种理论以康德和叔本华为先驱。
History requires us to reproduce in writing the things that have passed away, quite similar to the fictional works of art aimed at reproducing the real world. This dissertation re-questioned the relationship between subject cognition and object object in contemporary epistemology with the discussion on performance in contemporary aesthetic theory, and put forward that historical work is not only a representation of the past, but to a certain extent, "The past itself, got the so-called presence of the state. Therefore, the effective field of traditional epistemology is pre-planned by exalted experience, a theory pioneered by both Kant and Schopenhauer.