对汉画中常见的射鸟图像的讨论曾持续多年,自邢义田“射侯射爵”说提出,得到多数学者的认同,几成定论。本文重新梳理相关资料,与文献结合,提出新的观点:射鸟图像可分作两类,一类是对汉代人捕杀鸟类的现实生活场景的直观描绘,难见深义;一类是有神仙世界与祥瑞物象相伴出现的射鸟图像,具有生发万物,催生生命的仪式性象征意义。 The discussion on the common bird images in Han painting has been going on for many years. Since Xing Yitian and his projectile, he has come to the conclusion that most scholars agree and arrive at a conclusion. This paper re-sorts the relevant information, combined with the literature, put forward a new point of view: bird images can be divided into two categories, one is the Han Dynasty bird hunting real-life scenes visual depiction, hard to see the meaning of the deep; The images of birds and birds appearing in the fairy world accompanied by auspicious objects have the ritual symbolic meaning of giving birth to all things and giving birth to life.