论文部分内容阅读
二十世纪九十年代以来,批评家们开始从多个角度考察《班尼托·赛雷诺》与以《汤姆叔叔的小屋》为代表的感伤文学之间的关系。联系《班尼托·赛雷诺》最初的创作与发表语境,可以发现麦尔维尔认为感伤主义文学容易让读者依赖一种流于表面的同情式解读,从而养成懒于思考、不善自省等思维习惯。为了揭示并部分纠正感伤主义修辞存在的问题,麦尔维尔在《班尼托·赛雷诺》中利用反讽以及不可靠叙述,为合作型读者创造了重读作品的机会,并使之在重读过程中反省自身价值观的局限,从而达成对种族问题更全面的认识。
Since the 1990s, critics have begun to examine the relationship between “Benito Serena” and the sentimental literature represented by “Uncle Tom’s Cabin” from multiple perspectives. In the context of the initial writing and publishing of Benito Serena, one can find that Melville sees sentimental literature as an easy way for readers to rely on a seemingly sympathetic interpretation that leads to laziness, poor self-reflection, etc. Thinking habits. In order to reveal and partially correct the existing problems of sentimental rhetoric, Melville uses “irony” and “unreliable narrative” in “Benito Serena” to create opportunities for collaborative readers to read works and to make them reread Reflect on the limits of their own values, and achieve a more comprehensive understanding of the issue of race.