论文部分内容阅读
六十万字的《走向雪域高原——青藏高原音乐考察研究》在书桌上飘过淡淡的墨香,让年过八旬的田联韬思绪万千。南京解放那一年,十九岁的南京中央大学工学院航空工程系大一学生田联韬,背着一架十八贝斯的旧手风琴去报名参军。正在招收学员的中国人民解放军第二野战军政大学文艺新闻大队,当时还没有一架手风琴,这让主考的指导员喜出望外。田联韬夙愿得偿,成为一名解放军文艺战士。1950年,又一次凭借手风琴特长,田联韬从在重庆的西南人民文工团借调到从北京来到西南地区的中央访问团,
Six hundred thousand words of “Toward Snowy Plateau - Qinghai-Tibet Plateau Music Study” drifted across the faint scent of ink on the desk, so that over eight years of Tian Liantao thoughtful. Nanjing Liberation that year, 19-year-old Nanjing Central University Department of Aeronautics Engineering Tianlian Tao, carrying a 18-year-old old accordion to register for the army. The art news group of the Second Field Army and Political University, People’s Liberation Army recruiting students, did not yet have an accordion at the time, which made the examiner overjoyed. Tian Lian Tao 夙 willing to obtain compensation, become a PLA literary and art warrior. In 1950, once again with the expertise of the accordion, Tian Liantao was seconded from the Southwestern People’s Art Work Corps in Chongqing to a central delegation that came to Beijing from southwest China.