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长期以来我们对待风俗画总因其题材内容的世俗化而产生一种错觉和误导,仿佛风俗画在宋代经济繁荣、城市文化发达的历史大背景下,就理所应当成为迎合市井百姓审美取向的绘画门类。本篇试图从宋代宫廷统治阶层的文化政策、自上而下的宋学思潮对宫廷风俗画的作用以及对当时风俗画家的心态胸臆、主体精神倾向以及市井百姓的文化审美心态等方面进行深度剖析,从而对古代美术大众化形式的审美价值和情感追求作出新的阐释。
For a long time, we have always had a wrong impression and misleading on the secularization of genre painting because of the secularization of its subject matter. It seems that genre painting, under the historical background of economic prosperity and urban culture in the Song Dynasty, should become a painting category catering to the aesthetic orientation of ordinary people . This article tries to make an in-depth analysis from the cultural policies of the court’s ruling class in the Song Dynasty, the role of the top-down Song Xue’s thoughts on the court genre painting, the psychology of the genre painters at the time, the main spiritual tendency and the cultural aesthetic mentality of the ordinary people. So as to make a new interpretation of the aesthetic value and emotional pursuit of the popular art form in ancient times.