当我有幸翻开《中国书法导论》这部新著时,首先被目录的题目所吸引,因为闪烁在标题中的思辨性的光彩足以消除了我对这部47万言书法学理论著作的惧怕感。读过后,深深为作者的从文化的广角向书法的艺术深度作出阐释的努力所感染,并为本书所做出的实绩而叫好。 When I was fortunate enough to open the new chapter of Introduction to Chinese Calligraphy, I was attracted by the title of the catalog first, for the speculative glint in the headline was enough to dispel my fears of this book of 47,000 words of calligrapher theory sense. After reading, deeply infected by the author’s efforts to explain the depth of art of calligraphy from the wide angle of culture, and applauded for the performance of this book.