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大家知道,好的纪实摄影作品的表现都离不开“真、善、美”的完美表达,特别是相对新闻纪实类摄影作品中第一要义的“真”是最根本的。因为这类作品你稍不留心游离开了真实,就会无法让人取信了。然而一直以来,国内摄影纪实类一些作品的画面,表现在这一方面的一些现象却让人产生疑惑。笔者从事文化馆摄影艺术辅导创作岗位的工作兼地方摄协事务,从涉事群众大文化摄影和职守促专业摄影创作、提高创精品意识这个工作层面,所接触和了解到的就有如下几种情况让人琢磨,这里把它们提出来,意在和大家共同来探讨一二。
As we all know, good documentary photography can not be separated from the perfect expression of “truth, goodness and beauty”, especially the “truth” of the first important meaning in the photo-documentary photography of relative news. Because this kind of work you carelessly left the real, you will not be able to make people believe. However, some of the works of domestic photographic documentaries have long been puzzled by some of the phenomena manifested in this respect. The author engaged in the cultural center of photography art counseling creative jobs and local photo agency affairs, from the masses involved in large-scale cultural photography and devotion to promote professional photography creation, to enhance the creative quality of this work level, the contact and understanding of the following situations People pondering, put them here, intended to work with everyone to discuss one or two.