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本文在对曾侯乙墓出土的两支篪进行复制和测音的基础上分析篪的音乐性能,进而探讨先秦篪的名与实及其功能,同时,为研究先秦钟、磬的编列和音列乃至乐悬制度提供新的切入点。
On the basis of copying and measuring the two chines unearthed in the Tomb of Emperor Zeng, this paper analyzes the music performance of chi chi, then discusses the name and reality of chian chi and its functions. At the same time, And even music system provides a new starting point.