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雪莱的诗学思想体现在他对诗的性质、功用和诗人的地位以及诗的语言等方面的看法上。在诗的创作发生论上,雪莱继承了柏拉图的“灵感”说,认为诗是不受心灵的主动能力支配的,诗的灵感来无影去无踪。雪莱认为“诗本来是一种摹仿的艺术”,诗之创造是依靠融会与再现。同时,诗又是“想象的表现”。诗的社会功能在于促人向善,陶冶情操,扩大胸襟,进而推动人类社会的发展。对于超越宗教和魔法的世界来说,诗人就是牧师和先知;对于在没有法律限制情况下生活的未来社会来说,诗人就是未被承认的立法者,可首要的,他是解放者和探索者。雪莱认为语言是诗的工具和素材。诗是语言,尤其是韵律语言的特殊排列。声音和思想不但彼此之间有联系,而且和它们所表现的对象也紧密相关。
Shelley’s poetic thought is reflected in his views on the nature, function and poet’s status as well as the language of poetry. In the generative theory of poetry, Shelley inherited Plato’s “inspiration” theory, that poetry is not subject to the active ability of the soul, the poetry of the inspiration to come out without a trace. Shelley thinks “the poetry is a kind of art of imitation”, and the creation of poetry depends on the merging and reproduction. At the same time, poetry is “the expression of imagination.” The social function of poetry is to promote good, cultivate sentiment and broaden mind, and then promote the development of human society. For the world beyond religion and magic, poets are pastors and prophets; for future societies living without legal restrictions, poets are unrecognized legislators, and above all, liberators and explorers . Shelley considers language as a poetic tool and material. Poetry is a special arrangement of languages, especially prosodic languages. Sounds and ideas are not only related to each other, but also to the objects they represent.