论文部分内容阅读
民国初年,缠足之风渐衰,束胸之风乃盛。急欲实现中国现代性变革的思想先锋出于强种保国与女性自强的目的,高扬女性身体的自然健康之美,激烈批判束胸恶习。城市里的摩登女性不仅不以凸现身材为耻,反而以胸部美为荣,以西方的舶来品——文胸替代了传统女性内衣。从束胸到文胸,成为中国现代性精神变迁的一个民俗象征。胸乳——作为凸现女性性征的身体之一部分,从必欲束缚之而后快,到必欲文饰之而更美,传达出近现代社会审美时尚与女性身体观念的历史性变革——从压抑性到释放性,从对自然之女体的审丑到审美,是女性身体作为有性的存在的解放。
In the early years of the Republic of China, the winds of footbinding were gradually declining, and the style of busting chest was full of vigor. The Pioneer of Ideas Who Are Eager to Realize the Transformation of China’s Modernity For the purpose of keeping the country warm and the woman’s self-reliance, the pioneer advocates the beauty of the natural health of the female body and fiercely criticizes the abuse of the breast. The modern women in the city are not only ashamed to embroider their bodies, but are proud of their boobs and replace the traditional lingerie with bras from the West. From corset to bra, becoming a symbol of folk custom in China’s modern spiritual changes. Breast milk, as part of the body that highlights female sexuality, is bound to be bound by the desire and then fast, to be boundlessly decorated and more beautiful, to convey the historical changes in modern society, the concept of aesthetic fashion and female body concept - from depression From sexuality to liberation, from the ugly appreciation of the female body of nature to the aesthetic, it is the emancipation of the female body as a sexual existence.