在创作的取材上,赵少昂早已是造化在心。因此他以比托手法作画时,实在是在表达出这种中国文化的内涵,藉比托而达致物我一体的天人合一境界。赵少昂喜爱大自然,他描绘出来的作品都充满着生意盎然的景象。就以《迷漾月色满横塘》一画来看,干枯的荷叶与瑟缩的麻雀,若与璀烂的木棉花相比,似多 Drawn in the creative, Zhao Shao-ang already good luck in mind. Therefore, when he paints Pto’s painting, he really expresses the connotation of this Chinese culture by borrowing Tito to achieve the unity of man and nature with which I belong. Zhao Shao-ang loves nature and the works he paints are full of vibrant scenes. As far as the “moonlight full moon over” a picture of view, withered lotus leaf and constricted sparrow, if compared with the dazzling kapok, it seems more