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传统的戏曲研究往往将关注重点放在戏曲表演上,对戏曲舞台的关注则相对较少。实际上,戏曲舞台本身是一个艺术展示的空间,也是一个中国传统美学追求的集大成者。它的衍变发展一方面伴随着戏曲艺术的兴衰起落,另一方面也折射着中国社会政治、经济、文化审美等方面的发展变化。在时空的表达上,戏曲舞台所展现出的是与现实相映照的虚幻时空,是一次超越了时空界限的心理体验,也是戏曲艺术虚拟性和假定性的集中体现。
Traditional drama studies tend to focus on drama performances, while relatively less attention is paid to the drama stage. In fact, the drama stage itself is a space for art exhibitions and also a master of the pursuit of Chinese traditional aesthetics. Its evolution is accompanied by the rise and fall of the art of opera, on the one hand, and also reflects the development, changes in the political, economic, cultural and aesthetic aspects of Chinese society on the other hand. In the expression of time and space, the drama stage shows the illusionary space and time that is reflected in reality, which is a psychological experience that transcends time and space boundaries. It is also the embodiment of the virtual and presumptive nature of opera art.