中国古代艺术家对于艺术人生的追求不同于西方,他们不满于对客体直接的模写以及对物象直观感受的传达,他们更加看重赋予在物象身上的情感、生命力与境界的超脱,意境的体味与到达。在魏晋这个特殊的历史时期,南朝宗炳提出了“澄怀味象”这一美学命题,是对前人美学思想的传承与丰富,也影响了后世更多文人艺术家的创作过程。 Chinese ancient artists are different from the West in their quest for artistic life. They are dissatisfied with direct mold writing of objects and the direct perception of objects. They attach more importance to the sentiment, vitality, and transcendence of life and the taste and arrival of artistic conception given to objects. In this special historical period of the Wei and Jin Dynasties, Zong Bing proposed the aesthetic proposition of “Cheng Wei Wei Xiang”, inheriting and enriching the predecessors’ aesthetics thoughts, and influencing the creative process of more literary artists in later generations.