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记得多年前,在画廊见到了宋鸣的山水画作品,给我留下了高古、寂冷、野逸的印象,时至今日仍然记忆犹新。近年来,宋鸣的山水画作品风格大变,其作品中平添了几分温润、清雅与明秀。从他的画里我总是能读出一种宗教的情怀,一股道家的飘逸之气,一抹无拘无束放浪于天上人间、天人合一的色彩,呈现出一种将自己置身宇间的胸襟大气、无我与豁达。千百年来,大自然中那苍松古木、深山飞瀑、幽涧寒潭不时地成为中国山水画家所表现的对象。清·唐岱《绘事发微》言:“天以生气成之,画以笔墨取之,必得笔墨性情之生气,与天地之生气合并而出之。”在宋鸣的作品中,生命感的流露总是在其自然轻松的笔墨中呈现。而这种传达出的画意、生气,正是画家从体验到再现,充满了自己对于生命的崇敬和对自然的敬畏。由此,他的山水画作品往往表现出:有的清新明快、古朴厚重,有的简洁单纯、雄健老辣,然皆能给人以美的启迪。
I remember many years ago, I saw Song Ming’s landscape paintings in the gallery, leaving me with the impression of high ancient times, lonely cold, Yeh Yat-sen, still remember today. In recent years, Song Ming’s landscape painting style has changed drastically, adding a bit mild, elegant and Mingxiu in his works. From his paintings, I can always read a religious feeling, an elegant atmosphere of Taoism, a wave of unrestrained liberation in heaven and earth, the unity of man and nature, showing a way of placing oneself in space Atmosphere, without me and open-minded. For thousands of years, the natural pine trees, mountains and waterfalls, secluded stream Han Tam from time to time to become the Chinese landscape painter’s performance. QingDaiDai “painted matters”: “Heaven is angry, painting to take it, will be angry pen and ink temperament, and heaven and earth angry out of the merger.” In Song Ming’s works, life Sense of disclosure is always present in its natural ease of writing. And this convey the meaning, angry, it is the artist from experience to reproduction, full of their respect for life and respect for nature. As a result, his landscape paintings often show: some fresh and lively, simple and honest, some concise and simple, powerful and spicy, but all can give the United States enlightenment.