土家族作家田耳无意追求戏剧化效果,这决定了他的小说结尾的敞开性状态和叙事结构推动力的构成,其小说往往充满一种意外和旁枝逸出,以及因之而来的“去价值判断”倾向。某种程度上,面对日常生活的日益丰富复杂与全球化多重时空的交织,作者以其对变与不变的辩证法思考所呈现出来的是小说内在的情感认同和理性认识间的冲突和矛盾。 Tujia writer Tian Er does not intend to pursue dramatic effects, which determines the composition of the open state of the end of his novel and the driving force of the narrative structure. His novels are often full of accidents and fugitives, “To value judgment ” tendency. To some extent, in the face of the ever-increasing complexity of daily life and the multiplicity of times and gaps in globalization, the author presents the contradictions and contradictions between the emotional identification and the rational understanding of the novel through his dialectic thinking of change and immistency .