在《雕虫纪历·自序》中,卞之琳曾自谓“感情动物”,称其诗都是借助情感思想淘洗、提炼、结晶、升华出产的“小玩艺儿”。“抒情诗创造出的虚幻历史,是一种充满生命力思想的事件,是一次情感的风暴,一次情绪的紧张感受。”诗歌,正是因其承载着思想、情感和情绪(“真正的主观的历史”),而被赋予了生命力,成为了一种有机的存在。 Bian Zhilin once described himself as an “affectionate animal” in the “Etiquette and Preface of the Carved Insects”, saying that all his poems are “little things” that are panned, refined, crystallized and sublimed with emotional thoughts. “The illusory history created by lyric poetry is an event full of vitality thoughts, an emotional storm and an emotional feeling of tension.” It is precisely because of poetry that it carries the thoughts, emotions and emotions (“real subjective History ”), and has been given vitality, has become an organic presence.