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本文研究“新新人类”即“七十年代书写”的文学精神走向。认为“七十年代书写”中包含着多重含义 :其一 ,它是指一批出生在 70年代的作家以带有新的审美倾向的新文本形式冲击了持续十余年的先锋派叙事话语 ;其二 ,是指非文学写作中出现的文本样式对现有文化秩序构成挑战和不折不扣的轻蔑 ;其三 ,无纸写作的渠道因其前所未有的通畅而容纳了不计其数的青年在业余时间里的思考和随心所欲式的“发表” ,对文化格局的分配与重组起着潜在的影响作用。检视这些文字 ,可以看出“七十年代书写”在“历史叙事”、“自我塑形”方面具有独特的文化症候和精神空白 ,研究并探索其未定性和开放性所具有的“以终为始”的继续书写的问题视域 ,具有重要的意义。
This paper studies the literary spirit of “new new humans”, that is, “writing in the 1970s”. The author thinks that there are multiple meanings in the writing of the seventies: First, it refers to a group of writers born in the 1970s that attacked the avant-garde narrative discourse that lasted more than ten years in the form of new texts with new aesthetic tendencies; Second, it means that the text style appearing in non-literary writings is a formidable contemptuously contemptuously for the existing cultural order. Third, the paperless writing channel, because of its unprecedented smoothness, accommodates innumerable young people In his free time thinking and free-style “published”, the distribution and reorganization of cultural patterns play a potential impact. Looking at these words, we can see that “writing in the 1970s” has unique cultural symptoms and spiritual gaps in “historical narration” and “self-shaping”, and studies and explores the “ Beginning ”to continue the problem of writing the horizon, has an important significance.