长期以来 ,我国的文学史研究方法一直存在着机械他律论、体例僵化、形式和流变研究贫乏、对传统治史方法不能更新等问题。勃兰兑斯的洋洋六卷本文学史巨著《十九世纪文学主流》综合前人各种文学史方法 ,强调在大文化视野中把握文学史现象 ,由精神之点出发透视欧陆文化和文学整体 ,以能够代表一定时代政治、文化本质的典型人物或事件为核心 ,致力于宏观与微观研究相结合的美学分析 ,并形成了自己独特的著述风格。这对当代中国文学史学建设是具有广泛而深刻的启迪和借鉴意义的 For a long time, the research methods of literary history in our country always exist such problems as mechanical law, rigid system, poor research on form and rheology, and the failure to update the traditional method of governing history. The history of literary history of the 19th century literary masterpiece “The Nineteenth Century Literature” integrated many previous literary history methods, emphasizing the cultural perspective in a large grasp of the phenomenon of literary history, starting from the point of view of the spirit of European culture and literary perspective , With the typical characters or events that can represent the political and cultural essence of a certain period of time as the core, devotes itself to the aesthetic analysis of the combination of macro and micro studies and has formed its own unique writing style. This has a broad and profound inspiration and reference for the construction of the history of contemporary Chinese literature