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随着照相机、电视、网络的出现,在现代人看来那种为表彰帝王功绩、存乎鉴戒的帝王肖像画年代已久远了。但是在古代,帝王肖像画作为人物画分支的一部分,占有十分重要的地位,而马自出现时又与人的生产生活结下了不解之缘。《乾隆大阅图》是西方传教士郎世宁所做的一幅帝王肖像画,画中出现的骑马形象,除反映了人与动物的关系外,还赋予了一定的政治含义。
With the advent of cameras, TVs, and the Internet, imperial portraits of ancient emperors, commemorating the achievements of emperors, have long been seen by modern people. However, in ancient times, emperors portraits occupy a very important position as part of the portraits of portraits, and Ma also became indissoluble bond with people’s production and life when they appeared. The Qianlong DaLuDu is an imperial portrayal made by the western missionary Castiglione, and the riding image appearing in the painting not only reflects the relationship between man and animal, but also gives certain political meanings.