“建筑画”是具有专业特性的绘画,它不同于一般的绘画。“建筑画”要求在形象上表现真实,如实地反映出建筑室内外空间的整体性,表现出建筑各部分准确的比例和空间感,因此“建筑画”就不可能象一般绘画那样表现抽象的意念,超越形体的范围。“建筑画”的“真实”和“象”对于现代绘画来讲似乎就很有一些“匠气”,就很难登入现代绘画的大雅之列了。其实,“建筑画”的“真实”和“象”与艺术的感染力并不矛盾。建筑画的“象”如果能把建筑的形象揭示到一定的深度,那也是一种“美”;匠意若能达之于巧,那就不是什么匠气了。因此我感到优秀的建筑画作品仍不失之于雅,是具有相当的魅力的。过去所见童隽、杨延宝、李钊晨的建筑画,以及近年 “Architectural painting” is a painting with professional characteristics. It is different from ordinary painting. “Architectural paintings” require realism in the image, faithfully reflecting the integrity of the interior and exterior spaces of the building, and showing an accurate proportion and sense of space in each part of the building. Therefore, “architectural painting” cannot be abstracted like an ordinary painting. Ideas, beyond the scope of the body. The “real” and “elephant” of “architectural painting” seem to have a lot of “decor” in modern painting, and it is very difficult to enter into the elegance of modern painting. In fact, the “reality” and “image” of “architectural painting” are not in contradiction with the appeal of art. If the “image” of architectural painting can reveal the image of the building to a certain depth, it is also a kind of “beauty”; if the craftsmanship can be attained to coincidence, then it wouldn’t be an ardor. Therefore, I feel that the outstanding architectural painting works are still elegant and attractive. In the past, I saw the architectural drawings of Tong Yu, Yang Yanbao, and Li Yuchen, and recent years