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在当代水墨发展中.有一股很大的声浪.即水墨如何与世界接轨.如何国际化。因此推翻、颠覆、打破、革新.切割传统包袱似乎已成必要的手段.亦是当代流行语汇。然而对传统的疏离与冷漠.使得当代创作者有“不知为谁而战”的困惑与迷惘。“笔墨当随时代”看似无可辩驳.但笔墨为何几成悬案?时代为何亦无共识?当代人在服饰与造型的表象中.不断地与体内流淌的血液相冲击.如何找出思想的母体或是当代人最终的课题?因此,走在水墨发展的脉络中.如何接续前人创作精神中的骨、血、肉.应是选择此路
In the development of contemporary ink painting, there is a great sound wave, that is how the ink and the world are in line with the internationalization. Therefore, overthrowing, overthrowing, breaking and reforming, it seems that cutting the traditional burden has become a necessary means and is also a popular language in the contemporary era. However, the traditional alienation and indifference make the contemporary creators have the confusion and perplexity of “I do not know who to fight for whom”. There seems to be no consensus as to why the contemporary era has no consensus on the appearance of apparel and styling and the constant impact on the blood flowing in the body. Therefore, walking in the context of the development of ink and wash, how to follow the bone, blood and meat in the creative spirit of the predecessors should be the choice of this road