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在清末民初的一些中国画作品上,常常写有“仿某某笔意”的题款。画家直言不讳地宣称,他的作品是照倪云林所画,或是对石涛、八大的摹仿,他们不加避讳而作炫耀,不以艺术的摹仿为难堪,反因有所承袭,笔有出处而感到光彩,这在当时几乎是一种时尚。这一类画家不是把生活作为创作的源泉,而是向前人乞讨,寄生在前人创造的作品上,这样的艺术总在重复古人,也重复自己,缺乏活生生的现实内容。因此,是注定要枯萎的。20世纪艺术的一个显著特征是强调个性,强调艺术家的独创性。如今,没有谁再公然宣布自己
In the late Qing Dynasty and early Republic of China on some Chinese paintings, often write “imitate a certain pen meaning” of the inscription. The artist declares bluntly that his works are based on pictures painted by Ni Yunlin or imitations of Shi Tao and the 8th National Congress. They show off without taboo and are not embarrassed by the imitation of the arts. Feeling glorious, it was almost a fashion at the time. Instead of using life as the source of creation, this type of painter begging for forefather and parasitizing works created by his predecessors. Such art always repeats itself and lacks vivid realities. Therefore, it is doomed to wither. One of the salient features of 20th century art is its emphasis on individuality, emphasizing the artist’s originality. Now no one announces himself publicly