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一首乐曲,若由平庸的乐手演奏,虽然音准、节奏、速度、力度等均大体符合要求,但给人的感觉却是兴味索然,如同嚼蜡。而若由高手演奏,则顿时变得情趣横溢,引人入胜。这是什么缘故呢?因为前者是根据乐谱泡制的“机械制品”,缺乏韵味;而后者则是生动活泼的艺术品,富于韵味。韵味和乐谱有关,但不是乐谱;和唱奏技法有关,但不是技法;和表情术语有关,但不是表情术语。韵味不是任何凝固、浅显、外露的东西,它内在、深刻、灵活而又朦胧变幻,犹如弥漫飘逸的精灵,似隐似现地存在于一切音乐作品及其表演之中。
A piece of music, if performed by a mediocre musician, generally meets the requirements of pitch, rhythm, speed, strength, etc., but gives the impression that it is as if it is a taste of nature. And if played by a master, then suddenly become fun, fascinating. What is the reason for this? Because the former is based on the musical composition of the “mechanical products”, the lack of charm; the latter is a lively art, full of flavor. Charm and score related, but not the score; and singing techniques related, but not technique; and expression terms, but not expressions. Charm is not any solidification, superficial, exposed things, it is inherent, profound, flexible and dim changes, like a diffuse elegant elves, seems to be present in all concerts and performances.