因为古代人的生存更艰难,所以他们经常处于一种紧张状态,倾向于把他们的恐惧和希望投射到任何可做联想的形状上,如此就产生了宗教壁画。不论是中世纪宗教壁画还是魏晋到元的敦煌莫高窟,在创作上的主导思想都是为宗教服务的,都不太重视对真实世界的客观描绘,很少注重人性和形象,重点突出神的至高无上。从表现形式上,西方壁画与从魏晋到元的莫高窟壁画都有象征性,人物形象都是超现实的,人物的形 Because the ancients were more difficult to survive, they were often in a state of tension that tended to project their fears and hopes into whatever shape they could associate with, thus creating a religious mural. Both the medieval religious murals and the Mogao Grottoes of Dunhuang from Wei and Jin dynasties, the dominant ideology in their works are all for religious services. They pay little attention to the objective depiction of the real world, seldom pay attention to human nature and image, and focus on God Supreme From the manifestation of the Western murals and the Mogao Grottoes from the Wei and Jin dynasties have symbolic, character images are surreal, figure-shaped