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屈原在自然景物描写上对《诗经》的继承和创新表现在以下几个方面。即：一、景不但是自然之景，而且，较《诗经》更寓有深刻的人文内涵和艺术形象；二、借景言情，情较《诗经》更富于感伤以至怨愤色彩；三、行文规模宏肆，更着力铺叙流动之景，体现楚人的流观意识；四、借神话、仙话等虚构非人间景象。
Qu Yuan’s description of natural scenery on the “Book of Songs,” the succession and innovation in the following areas. Namely: First, the King is not only a natural scene, but also more profound than the “Book of Songs” has a profound cultural connotation and artistic image; Second, by King romance, love more than the “Book of Songs” more sentimental and resentful color; Third, Wang Si, more focused on narrative flow of King, Chu reflects the flow of people’s consciousness; Fourth, by myths, such as the fiction imaginary non-human scene.