在钢琴教学中有这样一个说法:踏板是不能教的,只能靠耳朵。这种说法“成就”了一批学生在演奏中任意添加切分踏板的尴尬局面。而事实上,一部优秀钢琴作品的演奏,是需要多种踏板组合并且细腻处理才能完成的,正如俄罗斯伟大钢琴家安东.鲁宾斯坦所说的那样:踏板是钢琴的灵魂。在我国,由于大部分高等院校还处于教学和练琴都使用立式钢琴的阶段,所以,完 In the piano teaching there is such a saying: pedal can not teach, only by ear. This statement “achievements ” a group of students in the performance of the arbitrary addition of cutting board embarrassing situation. In fact, the performance of an excellent piano piece requires a combination of pedal combinations and delicate processing, as Anton Rubinstein, the great pianist in Russia, put it: The pedal is the soul of the piano. In our country, since most institutions of higher learning are still in the stage of teaching and practicing upright piano,